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Tuesday, September 2, 2014

Sewing Machine Trouble-Shooting

 At the fabric store I work at, we service sewing machines and offer free lessons to the people who have bought sewing machines from us. Since I've been working there far too long, I've noticed a lot of obvious trends in the sorts of mistakes people make with new machines that might cause lesser performance or even complete refusal to work on the part of the machine. The reasons for actual machine malfunction vary much more, but I've still noticed some trends in which the malfunction was totally avoidable.
 This post is essentially a guide on machine servicing as well as a list of things to check and consider if your machine isn't working.

   Servicing
  First, I'll offer some information on machine servicing.
  You should be oiling your machine based on whatever your owner's manual dictates. If you have a newer machine, it may even tell you not to oil it. As for cleaning it, there's really no limit, but you're usually safe just doing so after a major project or after you've been sewing with something that creates a lot of lint, such as fleece, felt, or batting. By cleaning, I mean the basic sort of cleaning that you can do by removing the needle plate and bobbins case. Unscrewing and opening up panels beyond that can be risky if you don't know what you're doing, so I'm not going to endorse it unless you've had actual training in servicing machines. The outer panels of machines are generally very difficult to take off and this is done on purpose because manufacturers have found that people who try to fix their own machines generally do more harm than good.
  In addition to cleaning the bobbin area yourself regularly, you should have your machine professionally serviced about once a year. Your machine manual will probably have guidelines concerning servicing and if I contradict anything your manual says, believe the manual over me. Check the internet, your local phone book, friends and local places that sell sewing machines to find places that will service machines. Just tell them it needs to be serviced as well as anything weird you've noticed about your machine, such as reverse not working properly or it being louder than usual. Also be really sure that you've provided the cords and foot pedal for your machine. Your owner's manual as well as any unused needles you have are also helpful. If your machine has any brushes or screw drivers that came with it, make sure they're in the storage compartment of your machine.
  A common misconception is that a machine doesn't need to be service if it hasn't been used much or at all. This is generally untrue. The only exception I can think of is if the machine has never been used, but even then, it may need some oiling. When a machine goes a while without being used, the oil inside it can just drain to the bottom or solidify into more of a paste than an oil in the machine's gears and such. If you're pulling out an old machine that hasn't been used in a while, it's a good idea to get it professionally serviced before you do too much sewing. Of course, it's a good idea to make sure it still works, if you're worried about that, but don't sew too much. A machine with no or improper lubrication can become problematic fairly quickly.
 The most important thing when it comes to machine cleaning, oiling and servicing is to do whatever your owner's manual tells you to do.

Now, here are some troubleshooting ideas for when your machine isn't working. There's a mix of things that apply to new machines as well as ones you may have had for a while.

Bobbins
  If your tension is funny (if you can see your bobbin thread on the top or your needle thread on the bottom) or if your fabric is bunching up, your needle is getting jammed, or your machine is making funny sounds from the bobbin area, there may be an issue with your bobbin. Firstly, make sure you're using the right bobbins for your machine. Your bobbins may need to be specific bobbins brought from a place that sells the brand of sewing machine notions that matches your machine, or it may require generic bobbins. Keep in mind that just because it seems to work fine doesn't mean that it's working well. Even tiny misalignments in any part of your machine can cause a decrease in performance or even more serious problems over time. Consult your owner's manual.
  Your bobbins could also be up-side-down or not threaded correctly. Use your owner's manual and have it open beside you as you insert your bobbin until you're 100% confident that you can do it correctly on your own. This goes for the top thread as well.
  Your bobbin case could also not be inserted properly. Again, consult you owner's manual, but there are usually arrows that need to line up or some such thing. Your case also usually makes a satisfying click when it's inserted all the way.
  These all may sound dumb and arbitrary, but for everything that I suggest here, there have been numerous customers with machines that "weren't working" because of one of these issues.

Threading
  Sometimes, threading the upper thread can be a bit complicated, or you might just be missing some random piece of metal you need to put your thread through. Have the section in your manual on threading your upper thread open beside you as you thread until you're totally comfortable.
  If your upper thread isn't threaded properly, your upper thread might break, your tension may be off, or your machine could skip threads.
 If you're finding that the thread resists you when you try to thread it, meaning that you physically cannot pull it through, first, check to make sure that your presser foot isn't down. If it is, raise it and try again.
 If that's not the problem, begin threading your machine slowly and take note of the step in which it becomes difficult to pull. That's where the problem is. If your thread has recent broken, it's likely that some thread has gotten tangled somewhere. Use a flashlight, something long and thin (like a pin), tweezers, and/or anything else you need to locate and remove the obstruction.
 If those things don't solve the problem, you have to bring it in to be serviced.

Needles
  Generally, all needles fit all machines. the exceptions are some older Singer machines or specialized type of sewing machines like long arm quilting machines.
 There are different sizes and types of needles. Most manuals nowadays have some information on different needles. The different types of needles are generally self-explanatory if you look at the names. One thing I notice though, is that people think denim needles are thicker. They're only as thick as the size says it is. Denim needles are really just sharper, which makes them great for woven materials that tend to snag.
  If your machine does happen to need special needles, the needle may just not fit in at all or may seem to fit in, but be too long which will probably cause timing issues and will likely break the needle.

Tension
  Leave your tension alone! Unless there's actually something wrong with it. If that's the case, change it small intervals until it's better. If it gets worse, try the other direction. If it still gets worse, knock it off. Just stop before you hurt something. Your machine's tension may need to be adjusted internally, which would need to be done by a mechanic. This could be a simple issue of adjusting some internal screws or what-have-you or simply giving it a good cleaning and oiling and usually won't cost much if you go to an honest mechanic. There could, however, be some sort of alignment issue, which may be more difficult to fix.

Well, that's all I can think of right now. I will probably add to this as I encounter new frustrated sewers at work or think of things.

 If you have any additional questions or comments or think I missed anything or said something wrong or like my blog or hate it or quodlibet, just leave a comment.
  Or if you just wanted to comment anyways, that'd be nice, too. You know, so that it looks like my blog is super popular or whatever.

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Friday, July 11, 2014

What to Do With Your Quilt Once You've Made the Top ~ Quilting, Batting, Backing and Binding

  A lot of new quilters think that piecing together the top of their quilt is all there is to quilting, or at least that it's the most difficult part. Depending on what pattern you're using, that may be true, but beginning quilters tend to largely underestimate the steps following the piecing. This post isn't meant to teach you how to do these things; it's just a summary of all the post-piecing jobs, so that you know what you have to do next and what your options are.

  First, I should specify that when I say "quilting," I mean the topstitching, or the attaching of the front, batting and backing together. Piecing refers to sewing or piecing the blocks of the top of the quilt together. Quilting can also be used to refer to everything involved in making a quilt, but in circumstances when you're distinguishing between piecing and quilting, it's important to remember the difference so that you don't get confused.

*Note* These tips generally don't apply to rag quilts. If you're looking for direction on those, ask somebody you know who has done one or consult an internet tutorial aimed at this topic. There may come a day when I will have such a tutorial, but today is not that day.

Quilting

  The first thing you should think about is what method you're going to use to quilt your quilt. You basically have 4 options:
  1. Yarn tying
  2. Hand quilting
  3. Machine quilting with your  sewing machine
  4. & Long-arming
  Keep in mind that if you're using a cotton (or mostly cotton) batting or any other natural-fiber batting, you usually can't have more than a 5" square unquilted, otherwise it'll get lumpy when you wash it or over time. Battings often come with some instructions and they will generally include the maximum area that can be left unquilted.

  1. Yarn tying is also another well-known/traditional quilting technique. It's probably the easiest, but a lot of people don't like the way it looks. This method involves using a needle to thread a thin yarn through the quilt and then back through to the top again. The yarns are then all tied. People generally do this in a more-or-less grid pattern, but you could spice is up a bit if you wanted. Just keep in mind the minimum distance your batting will allow between connectors. You'll want to try to find a yarn that doesn't unravel particularly easily.
  2. Hand quilting is relatively self-explanatory. This is what most people think of when they think of quilting. Like yarn tying, this method is nice for nervous beginner quilters because you're totally in control of what you're doing and again, mistakes are difficult to make, but when they are, they are easily undone. It generally looks better than yarn tying, but it takes a long time. There's a reason people have invented new ways to do this.
  Basically, you're going to use thread a needle and hand sew through all the quilt's layers. You'll want to use a temporary spray adhesive (like 505) or safety pins to keep the top, batting and back connected to each other while you do this. You can use hand quilting thread (a good brand, like Mettler), embroidery floss or a very very thin yarn (like Clea). People generally follow patterns or seams so that the quilting isn't very noticeable, but you do what you want. Do keep in mind whatever the minimum distance allowed between stitches is for your batting.
  This method is manageable for baby quilts, but it can be a bit tedious and difficult for larger quilts.
  3. Machine quilting on your machine. Whether or not this is a good option for you depends mostly on your machine and the size of your quilt. If you have a higher-end quilting machine with a deeper throat (the area between your needle and the "computer" of your machine on the right) and a smaller quilt, this is probably the way you'll want to go.
  Most machines are capable of sewing straight lines through a quilt, which is good if you just want to "stitch in the ditch" (basically, just sew along your seams) which is usually the least noticeable type of machine quilting. You can also do cross-hatching or anything involving straight lines. whatever design you want to go with, you will need a "walking foot." A walking foot is just the foot you use for machine quilting. As with all feet and machine accessories, you need to buy a walking foot that's the same brand as your machine.
  You can also do free-motion quilting on some machines. Your machine will need to be able to drop its feed dogs and most machines that are meant to be used for quilting will have other features like a deeper throat and automatic tension adjustments. You'll need a free-motion quilting foot for this.. This is decently difficult at first for most people, but most people seem to catch on to it after some effort. I would definitely suggest trying it on some scrap fabric before you try it on an actual project. Essentially, you'll be drawing, but with your machine. Instead of the feed dogs pulling your fabric back, your feed dogs will do nothing and you will move the quilt with your hands. You can move it side to side and forward and back. People usually just do some kind of meander/squiggly design. If you're thinking about going down this road, I would suggest looking at pictures and videos of people doing this or projects that have been quilted like this to give you ideas as to what designs you could do. If you know a more experienced quilter, they might be able to help you figure out what you're doing.
4. Long arm quilting is by far the easiest and usually the most aesthetically pleasing option. A long-arm quilting machine is essentially just a giant sewing machine made specifically for quilting. They're very large and expensive, but actually relatively easy to use.
  The best way, in my opinion, is to find somebody who will let you borrow or rent their long-arm. This, however, isn't very likely. Long arm machines are very expensive and the owners usually don't like letting just anybody use theirs.
  The most likely way that you'll be able to get your quilt long-armed is to take it to a professional long-arm quilter who will quilt it for you. You can find long-arm quilters in any business listings your city has. You can also inquire with any quilters you know, do a search on the interweb or ask anybody at a quilting store. Pro long-armers often leave their business cards with quilting stores to hand out and sometimes the quilting store will have a long-arm quilter and somebody who knows how to use it.
  If you're going with this option, it's really important to contact the quilter before you buy your batting or backing or thread, because they may have rules regarding what you can use. You'll be able to talk to them about what sorts of designs they can do and what this would cost. For a meander or something fairly basic, 2 cents/square inch is fairly standard, as far as I'm concerned, but your quilter's rates may vary from that depending on their skill-level and experience and even how soon you want it done. To figure out the cost per square unit just use this formula (width x length x cost/unit). So, if your quilt is 80" x 100" and the rate is 2 cents/square inch, then you would do (80 x 100 x .02) and get $160. Additional costs may apply if you do not supply your own thread or batting.
  Also be sure to ask about the waiting time. A month or two is fairly normal, but the three or so month before Christmas are especially busy and the waiting time may be longer. If you want your quilt done by a certain date, make sure to have it ready to be quilted well in advance. Some long-armers will allow you to reserve a space in the waiting list before your quilt top is even done, so contact long-arm quilters well in advance so you know what to expect. Quilters will sometimes do rush orders, but additional charges may apply. Even if they normally do rush orders, in the month before Christmas or during any other busy time, they simply may not be able to do a rush order for you.
  Longarm quilters usually require about 4" extra on each side for the batting and backing. That means that your batting and backing need to be 8" longer and wider than your top. Your quilter may have different requirements, so be sure to ask. They will also usually require you to have all of the edges of your backing and batting be as straight and even as possible. If these edges are uneven or crooked, your quilt may not turn out well unless they trim it properly for you, which will usually induce additional charges. Quilters also often have preferences as to what batting and thread you use or will provide these for you. Some quilters, for example, won't take the really fluffy polyester batting or won't quilt a quilt with a minky backing.
  Since long-arm quilting machines start at $10 000 and can cost upwards of $50 000, I'll assume that anybody reading this isn't going to be willing to buy one, but, of course, that's an option as well. If you had your own machine, you could quilt your quilts whenever and however you darn-well pleased. You could also rent out your machine or do machine quilting for others.

Backing

  I generally do not suggest buying your backing until your top is finished. I say this because sometimes you'll want to make your quilt larger once you actually get it made up and see how big it is.
  Always make your backing a little bit bigger than your top. Just do it. Don't be stingy or you'll regret it later when you have to trim part of your top so it's the same size as your back. Again, if you're having your quilt long-arm quilted, make sure you know how much they want the back to be larger than the front. 4" on each side (for a total of 8 extra inches) is usually good enough.
  The easiest way to get a backing for a larger quilt is to buy double-wide backing which is usually about 108" wide. This is generally also more cost-effective. Most quilt stores will have some of this, but the selection won't be nearly as good as in the 44" wide fabric. Sometimes you'll find something that will work and sometimes you won't.
  If you have a quilt that has at least one side smaller than 58", you may want to consider any 60" wide fabric the stores have. You'll mostly find minky, but some stores have some 60" quilter's cotton. Minky is soft and great for baby blankets and lap quilts. I generally don't suggest using minky for quilts above a lap size though because it does stretch quite a bit. Some long-arm quilters also won't accept minky, especially for larger quilts.
  If you're stuck using 44" wide fabric, don't worry, that's what most people typically use, even though it's not as easy or cost effective. If you're worried about cost, check out discount sections. If you can find something there, it'll help a lot. If at least one side of your quilt is 40" or smaller, then you only need one strip, but if it's larger, you'll have to piece your backing, which isn't a big deal because you pieced your front and it turned out just fine. You'll have to use basic math skills to figure out how much fabric you need. Drawing a diagram usually helps me. If you really just can't figure it out, ask a quilter or mathematically gifted person you know to help you. Workers at a quilt store can often help you figure that out, but not always.
  Some people use a 1/2" seam when piecing their backs because all the stress put on the back is put on one or two seams instead of on a bunch like on the front. I've never seen somebody's backing come undone, but it never hurts to be safe and it usually won't make a difference size-wise.

Batting

  For batting, the most common is 85% cotton/15% polyester mix, or something along those lines. This mix is what quilting stores generally carry and they will often be called cotton batting, since they are mostly cotton. A misconception many customers and even quilting store workers have is that quilts should use 100% cotton batting. This is completely untrue. The only time you should use 100% cotton batting is if you're making microwavable potato bags or some such thing. The reason you want a bit of polyester in there is that 100% cotton batting falls apart incredibly easily. If you used 100% cotton batting, you couldn't have any more than 2” square unquilted, which would a huge pain on most quilting projects.
  As for brands, Warm and Natural is very popular and I like it. I usually use Hobbs though, because I like it just as much and it's usually cheaper. Warm and Natural is good for table runners and other small projects because it's thinner and will lie much flatter. Your local quilting stores will probably have their own brands. Just let the store worker know what you're doing and that you'd prefer a "cotton batting" or if you want to be specific, you can say 80/20 or 85/15 cotton/poly batting and they'll be able to help you. It really comes down to what you want. The only thing I really caution you against is using 100" polyester battings, simply because they don't breath as well and if it every catches on fire or heats up too much for whatever reason, it'll melt, which is way more dangerous than just catching on fire because it can get stuck to your skin.

Trimming

  After your quilt has been quilted, you need to trim it. This just means cutting away the excess backing and batting using your rotary cutter. The straighter the better, but the binding will cover up minor imperfections.

Binding

  Binding is the thin strip around the edge that covers up the raw edges of the quilt. To figure out how much binding you need, you need to find the perimeter of your quilt (width + width + length + length) and divide it by 40" (or whatever the width of the fabric you're using is), round that number up to the next largest whole number and times that number by 2.5" (or however wide you want your binding to be). For example,if your quilt is 80" x 100", you need 22.5", so you should get .6 metres or 2/3 yards. It's a good idea to get a little bit extra.
  If you have 2.5" extra on each side (which you probably should have) then you can get your binding from your excess backing once you've trimmed it off.
  This is how to figure out binding if you're using quilter's cotton. This is usually what you'll want to do. I would never suggest using any sort of bias tape or poly/cotton pre-cut binding because poly/cottons generally are not nearly as good of a quality as quilter's cotton. Binding takes the most wear of any of the parts of your quilt, so you may as well make it out of good quality fabric.
  You can also bind the quilt by folding over the backing, but you can only do this on quilts if they haven't been long-arm quilted.
  You can also use pre-cut satin binding. It's usually good quality and is already creased down the middle for you.

  For instructions on creating and attaching binding, check out an internet tutorial, ask a quilter you know or take a class.

And THEN, your quilt will finally be finished.

  If you have any additional questions or comments or think I missed anything or said something wrong or like my blog or hate it or quodlibet, just leave a comment.
  Or if you just wanted to comment anyways, that'd be nice, too. You know, so that it looks like my blog is super popular or whatever.

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Sunday, June 29, 2014

A Really Beginner's Guide to Rotary Cutting

  I highly suggest that if you want to learn how to quilt, you take a course from your local quilting/sewing shop. It'll help a lot. But, here's some information for those of you trying to swing it on your own:

  If you're quilting, the rotary cutter, cutting mat and ruler combo are a must-have. You can get away without rulers if you're just making large squares, but even then, a cutter makes it so much easier. Instead of cutting one square at a time, you can cut ten much more quickly. If you're doing anything that requires any accuracy, I'd say triangle or small square and up, you absolutely require a rotary cutter or else your pieces just won't line up.
  Because the whole combo is so expensive and a bit intimidating for beginner quilters, a lot of people who come in will only buy one piece of the ensemble, despite my warnings against it. If you don't have all three, you may as well not have any. Sometimes rulers are useful for tracing squares, but that's about it. A rotary cutter without a mat and a ruler is actually really dangerous. If you're not sure you want to commit to paying that much money up front, trying seeing if you can borrow some supplies from somebody or take a class that lets you use theirs. To be honest, I don't have my own set because I do most of my quilting at the fabric store I work at. There's way more room there and they like us to use the demo machines anyways so that we can sell them better.
  I've heard the most ridiculous stories about rotary cutters. One woman came into the store and bought a ruler and told me that it was for her daughter who was in the hospital because she had tried to use a rotary cutter with just a regular school ruler. I didn't know the details,but it sounded pretty bad. Another woman came into the store upset that her rotary blade was bending around the edges and wouldn't cut anything anymore. Turns out she was using planks of wood instead of a mat. *face palm* We offered her a free blade if she bought a mat and she accepted the offer.
  Anyways, don't try to get around it; it's not worth it. Just find a way to use the whole combo. Your life will be so much easier.


  ^These^  are rotary cutters; the pizza cutters of the quilting community.
  When used alongside a ruler and a cutting mat, rotary cutters are generally used to cut straight lines and square-up fabric, which is basically what quilting is, unless you're doing applique or something else that involves non-straight lines.
  The cutters in this picture are both Olfa cutters. I just use them because they're what we sell at our store, but I'm really happy with them. I would suggest the one on the left, which is a bit more expensive, but a lot safer and a bit more comfortable to hold. What makes it safer is that the blade is automatically covered unless you're squeezing the handle. The little red button can lock it in either the opened or the closed position, which can help prevent children or stupid people from hurting themselves with it when you're not paying attention. The top of the blade is also still covered even when the blade is out. The only way to cut yourself with it is to run yourself over while you're rolling it, which I think people are generally intuitively good at not doing. What makes it easier to hold is the curved handle.

  The mat and ruler I've used in the pictures are Omni-Grid, again just because that's what we sell, but I quite like them.
  The ruler you want to use depends on your project, but a good beginner/all-purpose one is the type I use in the pictures which is 8 1/2" x 22." It's nice to have a 22" one because you can cut WoF (width of fabric) with it and, of course, anything smaller. It's really helpful to have a ruler that has a grid on it (as opposed to just lines running one way), pretty much no matter what you're doing.
  As for mats, it depends on what room you have. The ideal set-up, in my opinion, would be a 2' x 3' mat (as in the pictures), which is generally the largest size, and a smaller rotating cutting mat. While cutting out smaller pieces, it's generally best to rotate the cutting mat instead of your fabric, which can be hard to do with a big mat, but at the same time you often need to cut strips that are 22" or wider (when you trim your quilt or are cutting border strips, for example), in which case it's very handy to have a larger mat.

  For a beginner, I would probably suggest a medium-sized mat with one side being at least 24" long (so that you can cut WoF).


How to Use 'Em
  There are two main things you'll need to do in a beginner quilt that are easy with a rotary cutter and a bit of knowledge and practice: Squaring up your fabric and cutting in a straight line. Once you get into more advanced stuff, you might need more, but this will get you started.

Squaring Up Your Fabric

  Before you start cutting out your blocks, you will need to make sure that the edge you are cutting off of is square which means that both the top and bottom corners are at right angles and that the edge in straight. Keeping your fabric square is an important part to consistency and accuracy when cutting and will make for a better-looking quilt int the end.


First, you need to choose a side that you think is the straightest and line up one of the grid lines on your ruler with the edge.


Keeping that grid line lined up with that one edge of your fabric, move your ruler as close to the right side (or the left if you're left-handed) as you can while still being able to see a bit of fabric sticking out the whole way up.


It's very likely that this side will not line up with the ruler, which is why you're doing this. this piece of fabric only stuck out a bit at the top, but stuck out about 3/4" at the bottom.

Using the instructions below on cutting a straight line, you'll then make a cut, trimming off the uneven edge. Turn the fabric clockwise 90 degrees and do this again. Any block/strip cutting from this piece of fabric will now be cut from the left side if your straight edge is on the left (suggested for right-handers) or from the right edge, if your straight edge is on the right (suggested for left-handers). In either set-up, the bottom and top should both be straight.

 Cutting a Straight Line
  Once your fabric is squared up, cutting a straight line is pretty easy, although there are a few tricks to it that you might not have thought of and it might take a bit of practice to keep the ruler steady while you cut.
  These instructions and pictures are for people cutting the right-handed way. If you wish to do this left-handed, you'll be doing the exact mirror image of this.

Say you need to cut a 5 1/4" strip. You need to find the 5 1/4" line on your ruler and line it up with the the left edge of your fabric. You also need to be sure that the bottom of the fabric also lines up with a horizontal line on the ruler. Both the left and bottom edges of your fabric should be lining up with lines on the ruler, like in the picture. If they don't, then your fabric isn't square and you'll need to square it up in order to have an accurately-sized strip.

You'll then want to do the same thing at the top. Your left and top edge should both be lining up with lines on the ruler.


And from further back, it'll look something like this.

Trying not the move the ruler, you'll now want to secure it with your left hand. Most people just press their palm down on the ruler about 2/3's of the way up the ruler. I usually just put my whole forearm down on it, but I'm told that's bad form. Anyways, you'll want to be really sure that the ruler isn't going anywhere. The ruler is more likely to shift during the latter half of the cut, which is why your palm should be placed a bit higher up the ruler.
  Now for the moment we've been waiting for; the cut. Take you rotary cutter in your right hand and while still holding the ruler down securely with your left, cut the fabric like a pizza, making sure that your blade is pushed against and following the right edge of the ruler.
  It's fairly normal to have a bit of difficulty with the ruler moving or the blade not following the edge of the ruler. It just takes a bit of practice. That's why you should practice on scraps for a bit or start with a project with nice big rectangular blocks where accuracy doesn't much matter.
If you're having severe difficulties, you can leave a comment and I'll try to help you, but I might not be able to. As always, in-person mentoring is the best way to learn if you can swing it.

Once you've got the hang of it, you can start layering your fabrics (as directed by your pattern, typically) so that you can cut out several strips at a time; makes things go much faster.


  Well, there you have it. That's everything I can think of telling you about rotary cutting. Leave a comment if you have questions or just liked my tutorial. Thanks for visiting and I hope you can check out my other blog posts and/or come again. :)

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Thursday, June 12, 2014

Reversible Slouchy Hat (Beanie) Picture Tutorial ~ Sewn With Jersey Knit




Wanna make a reversible slouchy hat? Cool. This is the tutorial for you.
If you don't want your hat to be slouchy, the principle is the exact same, your hat just won't be as long.

Materials:
-0.3 metres (1/3 yard) of jersey knit with a good stretch
-matching thread
-pins
-fabric scissors
-a sewing machine (failing that, a hand-sewing needle and some extra time)
-marking chalk/pen/pencil
-a hat you already like the fit of, if such a thing exists. If you have a hat that isn't quite right, you can use that too and just adjust your measurements accordingly.


The easiest way to get your size is if you have a slouchy hat you already like.
 If you have one, make sure your fabric is folded in 2 with right side together (a lot of jersey doesn't have a right and wrong side, so you may not have to worry about this) and lay the hat out on top of it and trace around it, leaving 1/2" around the curve and 1" along the bottom.
If you don't have a hat you like, then you'll have to guess a bit. Keep in mind that once something's cut and sewn, it's much easier to make it smaller than larger. Also keep in mind how slouchy you want your hat to be, how voluminous your hair is, how big your head is and where you want the hat to sit and how tight you want it to be.
The polka-dotted hat in this picture is the smallest regular size for adults while the brown and black I made for this tutorial is probably the largest regular size for adults. In the picture, you can see the difference between the two.
To figure out the circumference of the opening of your hat, measure the circumference of the part of your head you'd like the hat to rest. I'd say you should add 2" to this measurement; that might be a bit loose, but it'll be easy to change later.


Once you've decided on a size/hat to trace, trace it out, making your tracing about 1/2" larger than the finished size you're aiming for, 1" larger at the bottom. I've used chalk here and made my hat quite a bit larger, especially around the base, because the polka-dot one was a bit tight.


Now cut it out.


Preferably without moving the fabric at all, pin the two pieces together.


And sew it together. Make sure to fix your stitches at the beginning and end and to take out your pins before you sew over them.


Turn it inside out and you have one layer of your hat.


Go try it on in the mirror to make sure it fits and looks good. If you'd like to change something, now's the time.

Now repeat all the above steps on your other fabric, using the first half-hat as a guide.


And you'll basically end up with two hats. Turn both of them inside-out.


For each half, fold the edge over about 1" and pin it in place. Depending on your material, you may not need it to be folded over a whole inch, but especially if your jersey knit rolls or it's your first time, it's always best to have a bit extra.
(Sorry for the blur, I was doing this at night and the only way to get the black hat stand out against the brown table was to use a weird setting on my camera.)


Now turn one half right-side-out and put the inside-out one inside of it. Line up the seams and pin them together, keeping your 1" seam allowance. Your wrong sides should be together so that you can't see them.


It helps a lot here if you remove any extension tables or storage containers so that you can slip the hat onto your sewing machine.


And start sewing about 1/4" away from the edge. If you're unsure, it's fine to be a bit further away from the edge; I just think it looks better the closer it is. Make sure you're sewing through 4 layers of jersey. If you're not, then you're not sewing your seam in place and it could flip out.
Remember to fix your stitches and pull out your pins as you go.


This is what my edge ending up like.


And there you have it! A cool new reversible slouchy hat.



Ain't I pretty?
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Monday, May 19, 2014

Quick, Easy and Cute Elastic Waist Pencil Skirt Tutorial


If you're like me and you have difficulty finding skirts that fit properly or you just like to save money or make your own clothes, then you might be interested in this tutorial for a super easy but cute pencil skirt.

 Materials Needed:
~Fabric scissors
~Pins
~Fabric*
~Elastic**
~Matching thread***
~A fabric marking pen/chalk/pencil

*This is for 60" wide fabric and if you want the skirt to extend from your waist to your knees. If you want it to be shorter, a different width of fabric could work. The fabric width needs to be the distance from where you want the top of the skirt to be to where you want the bottom of the skirt to be plus 4" times 2.
If you're using 60" wide fabric and you want your skirt to be 26" long or less, then you will need to measure the widest part of your body between the top and bottom of the skirt (probably your hips). Whatever that measurement is, add about 4" and that's how many inches of fabric you need. If you want your skirt to be longer, you will need to get that measurement twice.
As for type of fabric, it's up to you. I've used a suiting fabric, but twill and spandex work great too. If you're using a really stretchy fabric like jersey knit or some spandexes, then the elastic isn't necessary.
**For elastic, you need whatever the distance around where you want the top of the skirt to be. I've used 1" wide elastic. If you want it to be different, this will change the length of the skirt.
***Your thread should match exactly. If you serge your raw seams, you should also have matching serger thread. The closer this matches, the better, but it need not be exact.

These instructions assume that you're using 60" wide fabric and want your skirt to be about 26" long.

Lay your fabric out and cut it along the seam at the top. If you have a skirt that you already like the size and shape of, you can lay it out on top and trace the shape of it. The only difference will be that you will want the top to be the same width as the widest part of the skirt.
If you don't have a skirt you like - which would explain why you're here - then follow these instructions:
Measure and write down the measurements of the widest part of your hips as well as the distance between this widest part and where you want the top of your skirt to be. You want the distance from the top of the fabric to be this same distance plus 2". Mark where your hips will be on the fabric and draw a line straight upward from there to the top of the fabric.
What you do from here depends on what you want the skirt to look like. What I did is made the bottom of the skirt about 2" smaller than the hips. You may want it to go straight down or even flare out a bit. Remember that if this shape doesn't work, you can change it later, but it's much easier to make it smaller rather than larger once it's been sewn.
If  you want it to be smaller than what I did, you'll probably want to add a slit unless the material you're using is fairly stretchy. I intend to have a tutorial on adding a slit to a dress soon.

Once you've traced the shape of your skirt, pin it in place, cut it out, and sew along the side edges. Don't forget to fix your stitches and take out the pins before you sew over them.
Turn your skirt right-side-out and try it on. Everything above your hips should be too big, but make sure that you like everything hips and down. It will also be about 4" longer than it will be finished.
If you're not happy, make appropriate alterations.
Once you're happy with the size, serge the edges. I've just done a tight zig-zag stitch on my sewing machine instead because this skirt is just for me and I didn't feel like threading the serger. Your machine may also have an overcast stitch which is better than a zig-zag stitch. It basically does what a serger does, just way more slowly. Check your owner's manual/stitch list.


Now, you will need to attach the elastic. Turn the top edge over about 1/2" and pin it in place.


  And now sew it in place. Don't forget to pull out your pins before they go under your foot and to fix your stitch at the beginning and end. Try to end up in the same place as you started so that it looks like one continuous stitch.


It should look something like this. Make sure your seams are lying flat.


Now fold this seam over your elastic. The stitch you've already sewn should approximately line up with the edge of the elastic. Pin this fold in place.
And sew the fold in place somewhere in between the stitch you've already sewn and the edge of the fold. Be sure not to sew over the elastic. Start sewing near the elastic ends and stop sewing about 3" before you've sewn all the way around.
Don't forget to fix your stitches and remove your pins before you sew over them.


Through the hole you've left, pull the two ends of the elastic out enough for you to sew them together, laying flat on top of one another

This elastic is ribbed, which helps keep it from folding over and twisting after it's been sewn in. Keep an eye out for it.


Make sure to sew this really securely. I would suggest straight and zig-zag stitches in at least two different places to make sure it's really secure.
Try your skirt on to make sure it fits. Other than being a few inches too long, it should fit normally now. If it's too loose, then make your elastic shorter and resew it.
Once you're happy with the elastic, feed it back into the hem and sew the hole shut.

Try on the skirt. It should be about 2" longer than you want it to be. If it's too short, then there's not much you can do. You can make the hem a bit smaller, but that won't make much of a difference. The best thing to do would probably be to add some sort of trim such as lace to make it longer.
If it's too long, then just make your hem larger.


Now to hem the bottom of your skirt. Fold the edge over about 1/2" and pin in place. After that's done, fold the edge over about 1.5" and pin it in place again.
You'll typically want to press this hem in place before, and if not after, sewing it, but I've already sewn with this fabric and happen to know that it doesn't press or wrinkle at all, which I don't mind. If you're working with such a fabric, then pressing will be unnecessary.


Typically, I like to machine sew the hem in place, but my perfect thread ran out just as I got to this point. Another option is to hand sew your hem in place as seen in this pic. The hand sewing method makes the thread less visible.


The hand sewing method will look something like this when it's done.
If your machine has a blind hem stitch, that will do basically the same thing. Consult your owner's manual, if you're not sure.


And now you've got yourself a fabulous skirt! Congrats and thanks for reading my tutorial.
If you have any questions or comments or what-have-you, leave a comment in the comment section. You'll get a response and my blog will look more popular, so do it.

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Thursday, May 8, 2014

Fabric Hair Bows ~ How to Make 'Em




Do you want to make fabric hair bows? Well, this is the tutorial for you.

Materials needed:
~0.25 meters/yards* of fabric**
~Matching thread (it should match fairly closely)
~Fabric scissors or a rotary cutter ensemble
~Pins

* This makes 4 bows the same size as what's in the pictures. You can do different sizes, of course. Go ahead and experiment and what-have-you.
** All of the bows in this tutorial are made from quilter's cotton, but you can also make them out of satin, lace and other fabrics. You may what to use an interfacing or layer the fabric to make it stiffer depending on the fabric you use.


As always, the first step is to cut off the selvage and make sure the edges are relatively straight. It doesn't have to be perfectly even, but do what you can. This is easier with a rotary cutter than with scissors.


It's hard to take pictures with my left hand when holding scissors with my right, so the tape measure is crooked, but yours should be straight.
Anyways, cut a 3.5" strip off from one of the ends


Just like this.


Cut that strip into 4 strips of approximately 2.5" x 3.5"
Then cut the remainder into 4 rectangles of about 9" x 10"
Take one of the smaller and one of the larger rectangles and put the rest aside for later.


Take the smaller rectangle...


and fold it in half with the longer side together.


Sew it along the long sides so that you have a tube. Don't forget to fix your stitches at the beginning and end of the stitch.


You should do a zig-zag stitch along the same edge so that the seam doesn't fray apart over time. You could easily not do the zig-zag stitch and it'd turn out just fine. I just do because I sell a lot of the stuff I make and I really like to extra make sure it never comes apart.


After you have your tube, turn it right-side-out (If this is difficult, you've done it right) and fold the raw edges together, right sides together (so that you can see the seam). Sew that edge together. Don't forget to fix your stitches and snip excess threads.


Turn your piece in-side-out and you should end up with a little tube like this. This is the cinch of your bow.
But we need to put it aside for a few minutes while we make the body of the bow.


Grab the larger rectangle.


And fold it in half. If your piece is approximately square, it doesn't matter which way you fold it. I've folded it with short sides together for this bow. You can play around with sizes and such and decided what you like best.


Now sew along the edges you've folded together. Again, I've zig-zag stitched along the edge in between the edge and the straight stitch. Don't forget to fix your stitches.


And you'll end up with a tube. Don't forget to cut your threads.


Turn your tube right-side-out so that you have a right-side-out tube.
Then find the halfway point across from the seam and mark it with a pin.


Match up the seam to where the pin is and pin the two edges together. Your seam should be in the middle. The closer it is, the more even your bow will look.

Do the same with the other side and fold the two pins together, rights side together so that you can see the seam. Make sure that the seam allowance is faced the same way so that it'll lay flat.


Then take out one of the pins and use the other to pin the two sides together.


Then sew that edge together. I'd say you should definitely zig-zag stitch this edge. Don't forget to fix your stitches.


This is what it should look like. If there's excess seam, you might want to cut it off to reduce bulkiness. Don't cut too close to the seam, though.

  
Starting from the middle, make some folds. You'll probably want to keep it symmetrical, but naturally, you're your own boss and you can do what you want. Something like this usually works out.



Then stick in two pins to keep the lovely folds you've made in place.


Now, press the folds on one edge together


Like this.


And slide your cinch on. The seam of your cinch should be on the back of the bow. Take out the pins as you get to them.


After a bit of fidgeting and scrunching, you should end up with something like this. It's quite typical to feel like you never get it perfectly straight, but you'll figure it out.


Now for the clips. Just slide it into the back of the bow in between the cinch and the bow.
I like these type of clips, just cause I do. There are lots of different kinds you can use. Alligator clips are probably the most common choice.


Once you're happy with the way your cinch is situated, you'll want to glue it in place. This brand seems to work just fine. Any fabric glue will work. Velcro glue will also work. One thing that will make it easier is if it has a longer nozzle like this. Try not to get the glue anywhere that you can see it.
I know lots of people glue the clips in place as well, but I prefer not to. They stay in just fine without it and I like giving people the option of taking the clip out if they want to.


And here's a really common way to wear your bow.
My husband took these pics and was helping me make it straight, so naturally, it's not very straight.


Sorry if this didn't make much sense. I wrote most of this during a particularly sad part of season 5 of "Buffy the Vampire Slayer". If you've seen it, you'll know what I'm talking about and know that that was a bad idea.



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